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Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
当格洛(luò )克 (马蒂(dì )·施密特-夏勒饰)点燃(rán )一个臭(chòu )名昭著(zhe )的皮条客的(⛲)SUV时,他被(🍣)(bèi )抓住(🍺)并(bìng )被(👇)拍摄(shè(👟) )了视频(🔭)。他设(shè(💈) )法离开(🚩)(kāi )后,视(🏎)(shì )频仍(🌑)在网上(🏦)疯传。他(⌚)(tā )自发(🙇)地(dì )加(🕧)入了(le )一(🏋)个通过(📺)互联网(🔋)认识(shí(💋) )的辍学(🍵)(xué )者小(➰)组。他们(💞)寻找着(🕸)(zhe )弗里德(🥚)(dé )里希(💮),这个人(🆑)住在山区,并(bìng )宣称自(zì )己的未来会身处大自(zì )然的怀(huái )抱之中(zhōng )。一开始,格洛克、朱蒂丝(sī )、斯特(tè )菲、埃利亚斯(sī )和(👞)保罗(luó(💹) )只感受(👁)(shòu )到了(🥂)满满的(📺)自由和(✒)幸(xìng )福(🚎),他(tā )们(🕹)觉得(dé(💊) )弗里德(😕)里希的(🎩)(de )愿景可(🛹)(kě )以实(📸)现(xiàn )。
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(🎬) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.
“假如(📖)音乐是(🖲)(shì )爱情(🥇)的(de )食粮(🛁),请继续(🍪)演奏吧(🥒)!”以(yǐ )配(🏒)乐著(zhe )称(⛳)并为莎(🔲)士比亚(🖲)爱情(qí(🐕)ng )喜剧《爱的徒(tú )劳》及《爱的胜利》(即《无事生非》)注入无(wú )限活力(lì )的超人(rén )气导演克里斯托弗•拉斯康(kāng )贝(Christopher Luscombe)携创作团(🔟)队重(chó(👙)ng )返埃文(🆗)(wén )河畔(🌀)斯(sī )特(🔝)拉福德(🌧)的皇家(🤚)莎士(shì(🍠) )比亚剧(👯)(jù )团,执(🕘)(zhí )导莎(⚡)翁另一(💂)部(bù )滑(⛸)稽又(yò(🚨)u )心酸的(🦐)(de )单相思(🍗)爱情故(🎡)事:
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
在(👭)(zài )法院(🎨)擔(dān )任(🍣)公設(shè(👘) )辯護人(😣)的李慧(🔔)貞,接(jiē(🙍) )任一樁(😞)(zhuāng )由名律師王國超中途(tú )解除委(wěi )任的青(qīng )少年殺人案。