《咱们结婚吧35》1.

拉敏(mǐn )，一(🙈)个(👟)在墨(mò )西哥的(🅾)伊朗移民，背负(🦉)着他的(de )过去：字(📚)面上，以(yǐ )韦尔(🍩)斯的形(xíng )式。在(zà(🚫)i )Luci_rnagas，一个Skype对话(huà )显(🈲)示他已经把他的(🖐)(de )男朋友留在(zà(😥)i )土耳其(qí )了。

With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family

When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.

Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostantin has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol.

子(🚐)ど(🎾)もに夢を与え(⛱)、想像(xiàng )力を(🔌)は(🐛)ぐくむコンテ(🔜)ンツ作りをめ(👉)ざ(🙃)して、キャラ(🌓)クターアニメ(🛳)ー(👦)ションを中(zhō(🥧)ng )心にデジタル(🚀)絵(✏)本やARといった(🌞)アプリなどを(🕛)通して、エンタ(👐)メから知育ま(💻)で幅(fú )広く活動(💊)しているスタ(🥧)ジオななほしが(🔹)、ジャンルや(🙎)メディアを問(🍾)わ(㊙)ず、ものづく(🤕)りを手(shǒu )掛け(🌤)る(👚)ウサギ王と制(🚮)作。どこの家に(😿)も(🐌)ある縁起(qǐ )物(🙏)たちと、彼ら(🏰)が(🚊)動くさまを見(🌘)た子(zǐ )どもた(🔞)ち(🤒)との交流を、(🦄)躍動感(gǎn )いっ(🎷)ぱ(🈯)いに描いたド(🥄)タバタコメデ(🔞)ィ！

一(yī )部集悬(xuá(🛋)n )疑、犯罪、喜(🅿)剧三种元素为载(🤝)(zǎi )体带有推理(🏈)(lǐ )色彩的(de )电影，讲(㊙)述(shù )无良律师(🏹)、婚姻骗(piàn )子(📄)、(🧥)货车司(sī )机、(🐙)杀手雇主以及(🖍)(jí(📹) )变态厨子等(dě(📼)ng )几个不(bú )同职(👰)业(🎎)的小(xiǎo )人物在(⏸)一个(gè )国道饭(🏜)(fà(🗒)n )店里展开一(yī(🔙) )系列啼笑皆非(👼)的(🔟)罗(luó )生门生死(🧜)斗(dòu )。

Three men struggle to save their relationship while traveling across country in search of a doctor they believe will make one of them well.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.

Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.